Post by James on Jul 4, 2015 1:03:42 GMT
If you search Youtube, many instances of dastangoi come up. And if you're interested in Dastan-e-Amir Hamza, you can find the whole massive thing on rekhta.org (where you can even listen to the texts as an audio book!).
Mahmood Farooqui: He revived lost Urdu art, made it popular
A decade ago, Mahmood Farooqui ventured on a mission to revive the 16th Century art of storytelling -- Dastangoi -- which was considered almost extinct. The last Dastango had died in the 1920s and people had almost forgotten how a dastaan (tale) was narrated.
After the efforts made by the Peepli Live co-director, the dying Urdu art has started gaining a foothold and the oral storytelling performances are held regularly across the country.
At least 200 such shows, either starring Farooqui or directed by him, are scheduled over the next six months. Over the last several years, Farooqui has held numerous shows in the capital, including performances for Aga Khan Trust for Culture in Apni Basti Mela in Nizamuddin. He also hosted numerous performances for Intach, ICCR and other organizations, as well as private shows to spread awareness of Dastangoi in Delhi.
Constantly travelling across the country, Farooqui's friends said he is extremely passionate about the art form and nurturing new dastangos so that the tradition of Urdu storytelling is passed on to future generations. Many youths from Nizamuddin have been trained by Farooqui and given performances for schoolchildren, bringing alive stories related to the Greater Nizamuddin area of the noted 14th Century poet, Amir Khusrau.
He had once told this correspondent that he planned to train Dastangos in every major city of India and spread the joy to even small villages and towns. In 2006, Farooqui and Danish Husain stepped on stage as a Dastango pair for the first time. The duo has been acclaimed for numerous performances, which include both traditional tales as well as contemporary stories.
Known mostly as a historian and writer, Farooqui has authored a book on the Revolt of 1857 called Besieged: Voices From Delhi 1857, and he was also a researcher for William Dalrymple's book White Mughals.
According to historians, one of the earliest references to Dastangoi in print is the 19th Century Dastan-e-Amir Hamza containing 46 volumes of the adventures of Prophet Muhammad's uncle. Mentioned first in the Deccan courts, the story reached its artistic apogee in the court of Emperor Akbar.
By then, specialized storytellers called Dastangos had emerged. Akbar himself heard the narrative with great relish and also used to recite it himself.
Mahmood Farooqui: He revived lost Urdu art, made it popular
A decade ago, Mahmood Farooqui ventured on a mission to revive the 16th Century art of storytelling -- Dastangoi -- which was considered almost extinct. The last Dastango had died in the 1920s and people had almost forgotten how a dastaan (tale) was narrated.
After the efforts made by the Peepli Live co-director, the dying Urdu art has started gaining a foothold and the oral storytelling performances are held regularly across the country.
At least 200 such shows, either starring Farooqui or directed by him, are scheduled over the next six months. Over the last several years, Farooqui has held numerous shows in the capital, including performances for Aga Khan Trust for Culture in Apni Basti Mela in Nizamuddin. He also hosted numerous performances for Intach, ICCR and other organizations, as well as private shows to spread awareness of Dastangoi in Delhi.
Constantly travelling across the country, Farooqui's friends said he is extremely passionate about the art form and nurturing new dastangos so that the tradition of Urdu storytelling is passed on to future generations. Many youths from Nizamuddin have been trained by Farooqui and given performances for schoolchildren, bringing alive stories related to the Greater Nizamuddin area of the noted 14th Century poet, Amir Khusrau.
He had once told this correspondent that he planned to train Dastangos in every major city of India and spread the joy to even small villages and towns. In 2006, Farooqui and Danish Husain stepped on stage as a Dastango pair for the first time. The duo has been acclaimed for numerous performances, which include both traditional tales as well as contemporary stories.
Known mostly as a historian and writer, Farooqui has authored a book on the Revolt of 1857 called Besieged: Voices From Delhi 1857, and he was also a researcher for William Dalrymple's book White Mughals.
According to historians, one of the earliest references to Dastangoi in print is the 19th Century Dastan-e-Amir Hamza containing 46 volumes of the adventures of Prophet Muhammad's uncle. Mentioned first in the Deccan courts, the story reached its artistic apogee in the court of Emperor Akbar.
By then, specialized storytellers called Dastangos had emerged. Akbar himself heard the narrative with great relish and also used to recite it himself.